Yahrrr! Avast!

It's Friday, and as a bonus it's #TalkLikeAPirateDay, so check out Lindsay Sterling's "Master of Tides" to celebrate!

For the Night is Dark, and Full of Stormy....

The timeless, superlative prose that is the winner of the annual Bulwer-Lytton competition has been released!

"It was a dark and stormy night..."

Penned by Victorian novelist Edward George Bulwer-Lytton, the phrase has now become the watchword for florid, over-wrought writing and is doomed to be leveraged in perpetuity as an example for future generations.

The Bulwer-Lytton Fiction Contest is, of course, the annual literary challenge aimed at composing the opening sentence to the "worst of all possible novels", following int he footsteps of that infamous dark and stormy night.

Here is the 2014 Grand Prize winner:

When the dead moose floated into view the famished crew cheered – this had to mean land! – but Captain Walgrove, flinty-eyed and clear headed thanks to the starvation cleanse in progress, gave fateful orders to remain on the original course and await the appearance of a second and confirming moose. 

— Elizabeth (Betsy) Dorfman, Bainbridge Island, WA

Check out the rest of the excellent entries!

Autopsy

Kickstarter Campaign Autopsy

Now that The Jesuit Letter Publishing Kickstarter campaign is over, and successfully funded (thank you backers!), I thought it would be helpful to do a bit of an autopsy and analysis of how the campaign unfolded.

The campaign generated 116% of the $2800 target, topping out at $3,270.  There were 42 backers that contributed.  

Here are some of the more interesting snippets that sprang out:

• Only 3% of backers came through Kickstarter itself. 97% came from external sources
• The vast majority of backers were direct contacts.  Social media contributed less than 8% of the backer connections however it was a major factor in outreaching to everyone.
• 10 backers were responsible for 86% of the funding, two backers alone contributed 53% of the goal funding (very unexpectedly I might add!)
• Average contribution worked out to $77.86 – boosted a bit by the aforementioned contributors, however when their contribution is not incl. in the average, you still end up with a robust $44.25 average contribution.
• Only 8 out of the 42 backers (19%) were unknown persons prior to the Kickstarter.  The vast majority of backers were family, friends, colleagues & co-workers
• The campaign reached the goal of $2,800 on Day 16, roughly the midpoint of the 30-day campaign.  The slope of the campaign tailed right off after reaching the target, partially because I curtailed some of my activities and partially because I expect contributors didn't see the urgent need to back the project once the goal had been reached.

 So how does this roll out into recommendations for other people contemplating a Kickstarter crowd-sourcing approach for funding publishing projects?   Bearing in mind, projects vary wildly in approaches, content and responses.  Here are some points to consider:

Who do you know? How big is your existing network?  People who don’t know you or your work are significantly less likely to step in to contribute to your project. Don’t expect having a lot of casual twitter followers or Facebook acquaintances will necessarily end up garnering support.  You need a solid direct support network …and you need to actually actively ask them for help you can’t just rely on the “Field of Dreams” model (that’s “build it and they will come”, for those who haven’t seen the movie).

What is the nature of your project?  Crowdfunding supporters tend to skew in fairly specific directions – projects that involve Internet or tech-based elements, software, gaming, personal electronics, comics, horror, sci-fi, anime, graphic novels etc., have (and no, I don’t have any stats on this, this is more perception than proven fact) a higher level of general Kickstarter support.  The mileage may vary on other platforms but you need to study what projects are getting funding on your crowdfunding platform.

Do you have clear goals/objectives, and usages set out for the funds? You and your project needs to be transparent, credible and believable.  People are backing your project because they want it to succeed and they’ve weighed the info/evidence you’ve provided and decided

a). the project is worthy to happen and
b). the project is likely to successful if you get the funds you seek.

If you don’t have a clear and consistent message on what you are doing, timetables, how you are doing it and what the backers expectations are, you will not likely receive the support you need, even from people you know.

Honesty & sincerity count for more than slick presentation – I worried and revised and fiddled endlessly trying to perfect my presentation and my video.  The flaws that loomed massively large to me were, from the feedback I've received, not a problem but rather an advantage.  It gave the project a genuine feel that a more tailored and pristine approach would have lacked.  At the end of the day, it is both the project and the people behind it that will help make your backers decide to step up.

Visuals trump copy – you need visuals on your campaign, you need imagery, you need to create a visual identity for your project, even for a written work.  They help to draw people in, generate interest and encourage someone to look beyond the headline.  For me, given that my work was historical fiction, I was able to pull Creative Commons images of public domain artworks to help with my book trailer and marketing.  Failing that, you can source low-cost stock images from dozens of sites around the web at a fairly low cost.

Writing a Novel? Don’t hit backers for funding until you actually have a book.  You unfortunately see a number of projects from people who want to write a book and have unreasonable expectations that a Kickstarter will help fund the writing.  Re-think that.  There is a world of difference between taking a completed project to crowdfunding to raise capital to fund publishing, and having your writing life funding via Kickstarter.  Unless you are a known quantity, with some strong indicator of your writing abilities, it is highly doubtful that anyone will dish out money to fund your future potential writing.  Leave the crowdfunding campaign until you have something that warrants support.

Listen to advice, quell the urge to run or reject it, think about it and then make up your mind.  Test your assumptions, test your messages, see what people in your field think about your proposal.  The best advice I received was monumentally negative and very disheartening.  I thought about it for a few days and then ended up re-structuring much of my rewards for backers and my goals to a much tighter and more practical level.  It was painful but ultimately helpful to receive such blunt feedback from a third party.

Don’t give up and don’t be afraid to take the leap. It can be extremely hard to put any creative project out for people to see.  All I can suggest is try it.  The worst thing that can usually happen is…nothing.  Most of the time you find even in trying and failing, you achieve.

Try different approaches – The best single marketing piece for my Kickstarter was a business card, with my project info on one side, and the book title/project artwork on the other. It gave me a conversational opener with people for face-to-face discussions, provided something I could drop on people’s desks or for friends to pass along to other friends.  It forced me to get comfortable and refined with discussing my project. 

Tell your story - You need that story, that elevator speech, you need to be able to get people excited about your project because, well, they’re busy. They have kids, work, spouses, relatives, hobbies, bills, sports, chores, dogs etc. and it is very easy to have your initial email or approach appear on their radar and then vanish without a trace.  I've had at least 10 acquaintances and friends approach me in the month following my Kickstarter to apologize because they didn't get around to backing me, or they didn't see my email until after.

I think that about covers what I can tell you.  

I hope it helps any of you that are planning to launch a crowdfunding project now or in the near future. 

Best of luck!

Funded!

https://www.kickstarter.com/projects/1678683250/the-jesuit-letter-from-paper-to-publication

Kickstarter Stretch Goals!

With 8 days left, the Jesuit Letter Kickstarter is heading into the home stretch, so I've added some  stretch goals & rewards!

Stretch Goal # 1: $3,500

Stretch Reward # 1: The extra funding will be allocated to commissioning an artist to develop a map of Elizabethan Warwickshire to augment the book.  The map will be available in high resolution digital format for all WHIP-JACK ($10) and above reward levels, with print versions (ideally on some beautiful quality paper) also available for all backers at ANGLER ($25) level and above.

Stretch Goal # 2: $4,000

Stretch Reward # 2: The extra funding will be allocated to commissioning an artist to develop character sketches of the main four characters in the book. As before, the character sketches will be available in high resolution digital format for all WHIP-JACK ($10) and above reward levels, with print versions (ideally on some beautiful quality paper) also available for all backers at ANGLER ($25) level and above.

If you have any suggestions for other stretch rewards, I am very open to suggestions!  I had considered an audio version of the book, but after investigating, at this time it looks like the production costs associated with that idea make it out of reach at this point.

In any case, let me know what you want to see! I'm very excited about the project moving forward and again, thank you to everyone for contributing and helping make this book a reality.

Racing into sunset

Sunset on the ISS, over Quebec & Labrador.

Mini-Lab

Met this little fella while picking up Jake from doggie daycare...

The words "ridiculously cute" springs to mind....